Today on the Tales of a Red Clay Rambler podcast I have a discussion with Namita Wiggers and Michael Strand. I talk with the duo of curators about their project for NCECA's 50th anniversary Across the Table, Across the Land. Taking place over the better part of the year the project encouraged the public to submit both object and event-based works around the idea of ceramics, food and community. 

Today on the Tales of a Red Clay Rambler Podcast I have a discussion with figurative sculptor Wesley Anderegg. Based in the Santa Rita Hills of northern Santa Barbara County, Anderegg uses ceramic figures to weaves narratives that are both primal and complex in their approach to emotion.

Today on the Tales of a Red Clay Rambler Podcast I have a discussion with multimedia artist Roberto Lugo. His current body of ceramic vessels uses portraiture, graffiti inspired patterns, and hip hop aesthetics to investigate notions of personal identity and belonging.

Today on the Tales of a Red Clay Rambler Podcast I have a discussion between guest host Holly Hanessian and British artist Michael Eden. During his MPhil research at the Royal College of Art Eden set out to merge digital technology with the craft skills he used during his previous experience as a potter.

Today on the Tales of a Red Clay Rambler Podcast I have a panel discussion with Jen Allen, Deb Schwarzkopf, and Steve Godfrey. The trio’s ceramic roots go back to Alaska, where Jen and Deb were students of Steve’s at the University of Alaska Anchorage in the early 2000’s.

This week on the Tales of a Red Clay Rambler Podcast I have an interview with Joel Magen. His recent passing was a huge shock to the clay community in Northern California. One of the few potters in the area to offer an apprenticeship, Joel helped educate dozens of potters at his Dark Horse Pottery in Davenport, CA.

Today on the podcast I have an interview with Kari Radasch. Known for her vibrant earthenware pottery, Kari is a prolific artist that has produced multiple varied, and successful, bodies of work in the last decade. Her current focus is to convey joy through vibrant color and surface patterning. She maintains a studio practice in Westbrook, ME while also teaching at the Maine College of Art in Portland, ME.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Kim Kirchman. A long time potter and educator, Kim is a professor of art at St. Petersburg College. Her recent altered vessel forms are decorated with underglaze drawings of botanical patterns that reference the lush environment of the Tampa Bay area. 

Today on the podcast I have an interview with artist couple Adam and Melissa Yungbluth. In the interview we talk about the history of the art scene in St. Petersburg, the rise of nerd culture, and their mutual love of comedy podcasts. 

Earlier this week Danish ceramic artist Nina Hole passed away. I had the great fortune to interview her in her home in 2012. She was a bright light in the ceramic community and a force of nature with her monolithic wood fired sculptures. In this episode you will hear our conversation rebroadcast in tribute to her contributions to the field of ceramics.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with indie-folk band The Painted Horses. Singers Denys Kozakis and Natosha Wengreen provide vocal harmonies for the band’s airy sound, while Jon Payne and Alex Bice supply upbeat rhythms that balance out the touch of melancholy that pervades their music. 

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Chris Staley. A celebrated potter and educator, Staley has been a professor at Penn State University since 1990. In the interview we talk about Abraham Maslow’s four stages of learning, redefining success and developing emotional intelligence in college students.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Jacques Kauffman. He uses ceramic bricks to build large-scale installation and sculpture. In the interview we talk about his philosophy of making, the influence of his time working in Rwanda, and his role in developing bioactive architecture that reduces green house gases in urban environments.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Nell. A Sydney based jack-of-all-trades, Nell makes mixed media installation, digital work, fashion and ceramic sculpture.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Jane Sawyer. Trained as an art educator before completing two traditional apprenticeships, Jane has developed a body of work that utilizes finger swipes and brushwork to decorate the surfaces of her slipware pots. In addition to her studio practice she is the director of the Slow Clay Center, which offers classes and workshops in Melbourne, Australia.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Pepai and Milyika Carroll. The Carrolls are accomplished ceramic artists and painters who work at the Ernabella Arts Center.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with ceramic artists Kate Dunn and Fiona Fell. Both are educators and makers utilizing digital technologies in the creation of their artwork. In the interview we talk about changes in the educational systems in Australia, collaboration as a method for making ceramics, and the ontology of objects.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with potter Shannon Garson. Her porcelain vessels are covered with sgraffito and oxide drawings inspired by the marginalized ecosystems of the littoral zone of seaside Queensland.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Andrew Stephenson. Educated both in academic settings and a formal apprenticeship, Andrew makes wood fired functional wares that are decorated with slip trailing and traditional glazes. 

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Michael Hunt and Naomi Dalglish, a pottery-making couple living in the small Western, NC community of Bandana. Drawing from Korean folk traditions and contemporary Mingei aesthetics they make utilitarian wood fired pottery.